Portrait by Albert Van Westing

photo by Albert Van Westing


Sean Dower has worked with sculpture, film, video, live performance, photography and sound. Dower began making performances in the early 1980s as part of the UK 'industrial' music scene and went on to work with the radical performance art group Bow Gamelan Ensemble. He studied Sculpture at Camberwell School of Art, London and attended the residency programme of the Rijksakademie in Amsterdam and has been making exhibitions in galleries, museums and other contexts since the early 1990's.

Selected exhibitions and performances:

  • 2019
    • PLUNK, BOUM, KRASH, ZZZT. Laure Genillard gallery, London UK
  • 2017
    • A Conversation... Dom Omladine, Belgrade, Serbia
  • 2015
    • On Air / Off Air. Beaconsfield Gallery London UK
  • 2012
    • The Voyeur. De La Warr Pavilion, Bexhill UK
  • 2010
    • Musik für Barbaren und Klassiker. Netwerk Aalst, Belgium
  • 2006
    • Single Shot. Tate Britain UK
    • Break it Down - A Performance - Timothy Taylor Gallery, London UK
  • 2001
    • Audiopathology - W139 Amsterdam, NL
  • 1998
    • New Video Art from Great Britain - MOMA New York USA
  • 1997
    • No Room in Hell - Matt's Gallery, London UK
    • Against - Anthony d'Offay Gallery, London UK

Curriculum Vitae

Born 1965 - lives and works in London

Study:

  • 1993-95
    • Residency programme of the Rijksakademie van Beeldende Kunsten, Amsterdam NL
  • 1988-91
    • BA hons Fine Art (Sculpture) Camberwell School of Art, London UK
  • 1986-88
    • Foundation Studies in Art and Design, Walthamstow College, London UK
  • 1983-84
    • Architectural Studies, University of Newcastle Upon Tyne UK

Residencies and fellowships:
  • 2019
    • Henry Moore Institute Fellowship, Leeds UK
  • 2015
    • Residency: Beaconsfield Gallery Vauxhall, London UK
  • 2013
    • Residency: Constructed with Intention. Cornelius Foundation, Lagamas, France
    • Hotel El Ganzo hotel, Puerto Los Cabos, Mexico

Solo Exhibitions:
  • 2019
  • 2017
    • A conversation along the highway of Brotherhood and Unity. Dom Omladine, Belgrade, Serbia
  • 2015
    • ON AIR. Beaconsfield Gallery, London UK
  • 2012
    • The Voyeur. De La Warr Pavilion, Bexhill on Sea UK
    • Gallery Vela, London UK
  • 2011
    • Southard Reid Gallery, London UK
  • 2008
  • 2001
    • Project Space, Centraal Museum, Utrecht NL
    • 'Audiopathology', W139 Gallery, Amsterdam NL
  • 1999
    • 'Other Spaces', Lokaal 01, Antwerp, Belgium
  • 1998
    • 'Rorschach'. Exedra, Hilversum NL
    • 'Room in Hell', Matt’s Gallery, London UK (for 'Backspace’ programme)
  • 1997
    • 'No Room in Hell'. Matt's Gallery, London UK (review in Frieze magazine)
    • Portfolio Kunst AG, Vienna, Austria

Selected Group Exhibitions:
  • 2025
    • Breakdown / Music and Machines. Farsight Gallery, London (watch video here)
    • Artists Against The Bomb. Parc des Bastions, Geneve.
  • 2024
  • 2023
  • 2021
    • 'Can we ever know the meaning of these objects'. Gallery 46 London, UK
    • < Open Window > Spoleto, Italy
  • 2020
    • BLOW-UP I: Experiments in Photography, Laure Genillard gallery, London UK
    • Feedback Loops, Gallery 46, London UK
  • 2019
    • Zapp Magazine /Zapp Magazine Club Night, Kunstverein, Amsterdam NL
  • 2018
    • See Your World in Ours IKON Gallery and Supersonic Festival, Birmingham, UK (Curated by Mark Titchner)
    • Art Night, London UK
    • STREAM STREET, Institut Aplauz, Belgrade, Serbia
  • 2017
    • LIMINALITY, Gallery 46, London UK
  • 2016
    • AUTONOMY - Gallery 46, Whitechapel London UK
    • ResonanceEXTRA (radio shows). Gravity Waves - 26th March 2016 & 28th May 2016
  • 2015
    • The Greatest Show on Earth. Shoreditch, London. 14-17 October 2015, with Kieron Leonard and 1234 records
    • Dear Serge - Offsite at Project 78, St Leonards (with De la Warr Pavilion) UK
    • POOL - Cafe Gallery Projects, London UK
    • Strangelove Media Festival. Central St Martins, London UK
  • 2014
    • Revolver II (with Craig Barnes). Live transmision - Matt's Gallery, London UK
    • Monomania Festival. Aid & Abet & Cambridge Junction. Cambridge UK
    • '/seconds' - Sharjah Art Foundation, Sharjah
    • Bruce McLean (survey exhibition), Firstsite, Colchester UK
  • 2013
    • The World in a Box, A Bittersweet Salon. Margate UK
    • Constructed with Intention. Cornelius Foundation, Lagamas, France
    • El Ganzo hotel (2 permananent commissions) Puerto Los Cabos, Mexico
    • DISCONNECTED (The left hand doesn't know...) - Baltic 39, Newcastle upon Tyne UK
    • Body Politic - The Art of Performnce (screening). Arts Pavilion, Bournemouth UK
    • Shape Gallery, London UK
  • 2012
    • Hair of the Dog. Block 336, London UK
    • One Take Film Festival - Zagreb, Croatia
    • Change the World or Go Home - Solent Showcase, Southampton UK
  • 2011
    • Change the World or Go Home - Downstairs Gallery, Great Brampton House, Herefordshire UK
    • 'Dimensions in British Contemporary Art’, various venues – India
    • Glynn Vivian Art Gallery, Swansea UK
  • 2010
    • 'A Snowball Effect’ Mains d’Oeuvres St Ouen, France
    • 'Taps: Improvisations with Paul Burwell', Matt's Gallery at Dilston Grove, London UK
    • 'Keep me Posted', Posted Projects, London UK
    • 'Musik fur Barbaren und Klassiker', Netwerk Centrum, Aalst, Belgium
    • 'Riff-Raff', Q - Lower John Street, London UK
    • 'PARTY!' - The New Art Gallery Walsall UK
    • 'Film / Video / Performance' Wimbledon Space, London UK
  • 2009
    • ‘Royal Academy of Arts Summer Show’ - London UK
    • ‘Röck’ Galerie Erich Mircher, Paris, France
  • 2008
    • 'Brown Noise', Maurice Einhardt Neu Gallery, London UK
    • ‘Party at the Moontower’. Road Agent Gallery, Dallas USA
    • 'Noise', George Rodger Gallery, Maidstone UK
    • ‘Nothing Moments’ Public Trust Gallery, Dallas USA
  • 2007
    • ‘Post Paolo Futurum’, Museum of Breda, Breda NL
    • ‘Nothing Moments’, Steve Turner Contemporary, Los Angeles USA
    • ‘Nothing Moments’, Silvermann Gallery, San Francisco USA
    • ‘Screenshow’, Meeting House Square, Dublin, Eire
    • ‘Single-shot’, Various venues in UK & Eire
  • 2006
    • ‘Single-shot’, Tate Britain, London UK
    • ‘Public Utilities’, South London Gallery (screening for Chris Burden exhibition)
    • ‘Summertime’, David Patton, Los Angeles USA
  • 2005
    • 'Speedorama', Drive in Cinema, Oslo & Touring Norway
    • 'Wonderings', The Great Unsigned, 47 Great Eastern Street, London UK
    • ‘Les Merveilles du Monde’, Dunkerque Museum of Fine Arts, France
    • ‘Ab Ovo’, Steven Wolf Fine Arts, San Francisco, CA, USA
  • 2004
    • ‘A Temporary Monument to David McComb’, STUK, Leueven, Belgium
    • ‘Video Hits, Art & Music Video’, Queensland Art Gallery, Australia
    • ‘Artist’s Films on Music Culture’, National Film Theatre, London UK
    • ‘Clerkenwell Film and Video Festival’ (London) - The Story of Dick Donkeys Dawn (Short-listed for Ken Russell short film award)
    • ‘Schabbernak’, Netwerk Gallerie, Aalst, Belgium (with Guy Bar-Amotz)
  • 2003
    • ‘The Greatest Show on Earth’, Metropolitan Galleries, Folkestone UK
  • 2002
    • ‘Us and Them’, Great Eastern Hotel, London UK
    • ‘Air Guitar’, Milton Keynes Gallery (and touring UK)
    • ‘Song Poems’, Rosamund Felson Gallery, Los Angeles USA
  • 2001
    • ‘Century City’, Tate Modern, London UK
    • ‘Song Poems’, Leslie Cohen & Brown Gallery, New York, USA
  • 2000
    • ‘Become Like Me’, Stills Gallery, Edinburgh, Scotland (& touring)
    • ‘Point of View’, Richard Salmon Gallery, London UK
    • ‘Video Art from Great Britain’, Sao Paolo, Brasil and touring South America
  • 1999
    • ‘Touch of Evil’, Metronom (Foundation Raphael Tous), Barcelona, Spain
    • ‘Pallid House’, W139 Gallery, Amsterdam NL
    • Rosamund Felson Gallery, Los Angeles USA
    • ‘Fourth Wall’, South Bank Centre, London UK
    • ‘to be continued >.’, Walsall Museum and Art Gallery, UK
  • 1998
    • ‘New Video Art from Great Britain’, Museum of Modern Art, New York USA
    • ‘Places to Stay’, Bureau Friedrich, Berlin, Germany
    • ‘UK Maximum Diversity’, Gallerie Krinzinger, Vienna & Bregenz, Austria
    • ‘Backspace’, Matt’s Gallery, London UK
  • 1997
    • Gallerie Krinzinger, Vienna, Austria
    • Montreal International Festival of Cinema and New Media, Canada
    • ‘Sean sells subliminals’, Factual Nonsense – Live Stock Market, London UK
  • 1996
    • ‘BMW 325i’, Crawford Municipal Art Gallery, Cork, Eire
    • ‘Against’, Anthony D’Offay Gallery, London UK
    • ‘Rational Behaviour’, The Tannery, London UK (Curator & exhibitor)
    • ‘I Beg To Differ’, Milch Gallery, London UK
    • ‘Pandemonium’, ICA, London UK
  • 1995
    • ‘Lost Property’, W139 Gallery, Amsterdam NL & The Lost Goods Building, London UK (Co-curator / exhibitor)
  • 1994
    • ‘In Collaboration with’, Lokaal 01, Breda NL
  • 1992
  • 1991
    • ‘SAFE’, Regent’s Wharfe, London UK

Performances:
  • 2025
    • Death Magazine 52 - Live in Birmingham at Centrala (Minerva Works)
  • 2022
    • Pyrotechnic Book Launch, Turner Contemporary Margate UK and Gallery 46 London UK
  • 2019
    • ’33 1/3 rpm’ (#3) for Zapp Magazine Club Night, Kunstverein, Amsterdam NL
  • 2018
    • Live percussion performance for Carla Fernandez’ Fashion in Motion, V&A Museum, London, UK
  • 2017
    • ’33 1/3 rpm’ (#2), Breturn, Kabinet Múz, Brno, Czech Republic
    • The Harrangue, Long Player Day, London
  • 2016
    • Two performances: OMS & ’33 1/3 rpm’ (#1). Linear Obsessional label night at Vinyl Deptford, London
  • 2014
    • Monomania. Aid & Abet / Cambridge Junction. Cambridge, UK.
  • 2013
    • '1513 A Ship's Opera' Thames Festival - London, UK.
    • Performance commission at the Cornelius Foundation, Lagamas France
  • 2012
    • 'The Voyeur' (series of 3 performances on St Simeon's drum riser) at de la warr pavilion - Bexhill, UK.
  • 2011
    • Late at Tate. Performance by Bag of Blood at Cabaret Apocalyptica (Presented by Richard Strange)
  • 2010
    • Cabaret Futura. The Paradise Club - London. UK
    • Live soundtrack/performance for a film by Charlotte Moth. At Halle Fuer Kunst, Lüneburg. Germany
    • 'Donder op Dender (a blizzard of noise). Netwerk Centrum, Aalst. Belgium
  • 2009
    • ‘Röck’ (The Horns of Dilemma) - Galerie Erich Mircher, Paris. France
  • 2008
    • ‘Ghost Drummer’ – Maurice Einhardt Neu Gallery, London. UK.
  • 2007
    • ‘20 pieces of silver’ – IKON Gallery Eastside, Birmingham. UK.
    • ‘Tribute / Wake’ for Paul Burwell (1949-2007), State 51, London. UK
    • ‘3 on the floor’ - The Klinker, London. UK
  • 2006
    • ‘Break it Down’. Timothy Taylor Gallery, London. UK (With Richard Wilson)
    • ‘Rational Lo-Tech’, Bethnal Green Working Men’s club, London. UK
    • ‘Four on the Floor’ – 'How to improve the world', Hayward Gallery, London. UK.
    • ‘Drum duet II’ – Barbican Curve Gallery, London. UK (with Richard Wilson)
  • 2005
    • ‘Audio Addiction’, Curator & performer - Delfina Studios, London. UK (With Guy Bar-Amotz, z’ev, Natsuki Uruma, Richard Wilson)
  • 2004
    • ‘Drum Duet’. With R. Wilson. Wapping Pumping Station, London. UK
    • The mobile DJ (with G.B.Amotz) - For the exhibition Schabbernak at Netwerk Gallerie, Aalst. Belgium
  • 2002
    • I Want to Dance - Performance for ‘Song Poems’ exhibition, Palace Theatre, Los Angeles USA
  • 1999
    • Live Stock Market, Factual Nonsense, Southbank, London. UK (Drum Tent with R. Wilson)
  • 1997-99
    • ‘Dick Donkeys Dawn’ (touring band with Georgina Starr and Oliver Hangl)
  • 1996-97
    • Interspecies Lovechild, (London based Art band, with Matthew Collins) Touring.
  • 1994
    • Hot Music, performance at The Garage, Rijsakademie Van Beeldenden Kunsten, Amsterdam NL.
  • 1998-91
    • Bow Gamelan Ensemble, touring internationally (with Paul Burwell, Anne Bean, Richard Wilson)
  • 1988
    • Performer: 'Self Winding' with Paul Wong, Edge 88, London UK
  • 1984
    • Performance / recording artist: Curfew Recordings with Metgumnerbone (various sites Newcastle Upon Tyne, UK)
  • 1984
    • Performance / recording artist: Death Magazine 52 (Live: London Musicians Collective, The Mermaid Birmingham, Richard Strange's Slammer London etc)

Select Bibliography:
    • Soanyway Magazine edition #8, feature on Zou Zou's Mime Reconstructed. January 2021
    • Sean Dower (Artist Monograph), Dusan Savič (ed), Jo Melvin (essay), Dom Omladine Beograda / Legat Franklin, Belgrade. 2017
    • Jane Won, ‘Sean Dower’ (article on The Voyeur solo exhibition), De La Warr Pavilion Magazine, Summer 2012
    • Things to cover in a drum lesson... Article for Artist's Catalogue: Charlotte Moth / Serralves Foundation, Porto. 2011
    • Time Out - April 2011. Review of solo exhibition at Southard Reid, London
    • Vagabond Holes: David McComb and the Triffids 2009 (2 pages) ISBN 9781921361623
    • Nothing Moments Short Story Collection 2007 (2 illustrations) ISBN 0781934500231
    • Frieze - March 2008. Review of 'Noise' at George Rodger Gallery< Maidstone UK
    • Modern Painters - March 2007. Review of Single-shot / Automaton
    • The Times - 08/11/06 Review of Single-shot / Automaton
    • ‘Les Merveilles du Monde’ - Exhibition Catalogue, Musee des beaux Arts (Dunkirque)
    • The Wire, Issue 267, May 2006 – Review of ‘Break it Down’
    • STUK Book Visual Arts 2000-2005. ISBN 90-8108151-9
    • ‘Ab Ovo’, Story Collection (1 story) ISBN-13: 978-0967091341
    • ‘Video Hits, Art and Music Video’ Queensland Art Gallery (Aus). ISBN 1876509856
    • ‘To be continued >’ Artists interventions in the Public Realm. ISBN 0-7134-8794-1
    • ‘We Build New Sentences’ W139 Gallery, Amsterdam. ISBN 90 75387 03 02
    • ‘Art Pop City’ (Bureau Friedrich, Berlin) ISBN 3-934823-02-05
    • Art and Text, Oct-Nov 2001. Review of Song Poems
    • Song Poems, Catalogue 2001. Produced by Steven Hull. ISBN: 0-9670913-1-4
    • No FuN without U: The Art of Factual Nonsense (1 photo) ISBN: 18899858806
    • Frieze, Issue 51, March 2000. Review of ‘to be continued’ (1 reproduction)
    • Scotland on Sunday, 20th Feb 2000. Review of Become like Me
    • Metronom, 1998 - 1999. Catalogue for Fundacio Raphael Tous
    • Evening Standard Magazine, 6th Aug ‘99. Cover article on art Bands - Dick Donkeys Dawn
    • Architect’s Journal, 15th Oct. 1998. Review of ‘SITE’ exhibition
    • Frieze Magazine March - April 1998 (issue 39) Review of ‘No Room in Hell’
    • Time Out. Nov 26 - Dec 3 1997. Review of ‘No Room in Hell’
    • Time Out Nov. 1996 - 'Review of Rational Behaviour'
    • Art Monthly, June 1996. Review of ‘I Beg To Differ’
    • Time Out, July 1995. Review of ‘Lost Property’
    • ‘ZAPP’ Video Magazine, Nov. 1994 - Amsterdam

Audio releases and air-play:
  • 2024
  • 2021
    • '1st Generation' - electronic music by Sonofapup 1995-2000. Remastered digital album release
    • 'sɜrbərəs' - electronic music by Sonofapup 2001-2004. Remastered digital album release
    • 'IOS' - electronic music by Sonofapup 2009-2015. Remastered digital album release
  • 2016
    • ResonanceEXTRA with the Spirit of Gravity (radio). Gravity Waves - 28th May 2016
  • 2015
    • 'Open The Window' - Track 'Taxi Argument' featured on Linear Obsessional Recordings compilation
  • 2014
    • 'Minotaur' - electronic noise music by Sonofapup. Digital album release
  • 2013
    • The Curfew Recordings (1984). CD release, March 2013 on Harbinger Sound - HARBINGER110
  • 2012
    • Death Magazine 52 - double vinyl disc, 2012 on Harbinger Sound – HARBINGER078
  • 2010
    • The Ultimate Brown Sound Record - 12 inch brown vinyl record. Produced with Netwerk Aalst, Belgium.
  • 2004
    • Dick Donkeys Dawn (1997-1999) - remixes by Dick. DVD released by Back Fur Records.
  • 1984
    • Curfew Recordings with John Smith and John Mylotte (audio cassette).
  • 1983
    • Death Magazine 52 / SHC (audio cassette)

Selected Lecturing since 1996:
    • Central St Martins College of Art and Design, University of The Arts London, UK
    • Chelsea College of Art and Design, University of The Arts London, UK
    • University of Brighton UK
    • National College of Art and Design, Dublin, Ireland
    • Goldsmiths College, University of London, UK
    • Sotheby's Institute, London UK
    • Paco das Artes, Sao Paolo, Brazil
    • Academy of Fine Arts Oslo, Norway
    • Faculty of Fine Arts, Brno University of Technology, Czech Republic