Live performance and music ... See selected performance videos at:www.performanceonfilm.com Scroll down for more...
Prehistory: Beached percussion, Pays Basque 1982
Far from killing music, the cassette revolution allowed bands to distribute
their own material. Dower began experimenting with electronics and
percussion and joined the Midlands based band Death Magazine 52 in 1983.
Death Magazine 52 / Spontaneous Human Combustion made provocative
audio-physical performances using tape machines, electronics, percussion,
super-8 films and other visuals. They performed at Richard Strange's Slammer
club in London and at the Equinox Event at the London Musicians Collective,
as well as at numerous venues around Birmingham and the midlands. The band
often mislead promoters in order to gain live slots at unsuspecting venues, which
usually resulted in extreme audience reactions.
Listen to: 'Definite' by Death Magazine 52 (13.37 min.)
Live performance at Queen Mary's High-School for Girls, Walsall. 28.9.83
Flyer for the infamous Equinox Event, London Musician's Collective 1983.
Death Magazine 52 performed at this early festival of Noise music, having
swapped the gig with Test Department.
The event was dogged by violence and complaints about the noise from
local residents. Since the band Whitehouse had been barred from playing,
D.Mag 52 invited their vocalist Phillip Best to perform with them. Best was
attacked on stage and a police raid halted the event shortly after.
The Curfew recordings were made at night in a disused, industrial storage silo in
Derwenthaugh, near Newcastle Upon Tyne. The acoustic recordings were made in
collaboration with John Smith (performance artist and publisher) and John Mylotte
(from the band Metgumnerbone). The huge steel cylinder had been used for bitumen
storage and had an exceptional ambient quality. The resulting recordings had no
effects added to them and were made using a range of instruments, including bowed
metal, human thy-bone trumpet, bull roarers, and the steel structure itself.
Curfew Recordings, video/sound (2004/1984) 4 min. excerpt from 23 min.
The Curfew recordings were made without elctricity and the only available
light was from candles. Sound is manifest through air movement and the
candle in this video flickers as a result of the air displaced by an array of
speakers, through which the soundtrack is being replayed. The candle's
movement acts as a kind of visual correlate, or 'meter' to the music.
Viewed on a monitor in a very dark space with speakers.
A Damn Near Run Thing at London’s Jubilee Gardens in 1988.
In 1988 Dower began working with the Bow Gamelan Ensemble, a performance art
group based in London’s East end. Richard Wilson, Anne Bean and the percussionist
Paul Burwell formed the ensemble in 1983 and Dower worked with them from
1988
to 1992. The Bow Gamelan toured internationally, fusing performance, pyrotechnics,
sculpture and sound into large-scale, chaotic live events.
A Damn Near Run Thing 1988.
Archive image of the performance.
The Ketford barge at Waterman's Arts centre on the Thames at low tide 1989.
Dazzle painting design by Sean Dower (after Norman Wilkinson). The Ketford was
restored for The Navigators, a series of live performances by the Bow Gamelan on
the Thames, from Bow in the East to Richmond in the West. The performers lived
and worked on board for several months.
Basle 1991. Dower experimenting with a kinetic sculpture.
Body music suit 1993 (left: front of suit, right: back of suit)
Boiler suit, speakers, cable and music delivery system.
Body music suit was designed to experience sound and music directly
through the organs and skin. It was also used to mime actions in time
to certain action-film sountracks.
Performance at Netwerk Centrum, Aalst (Belgium) with Guy Bar-Amotz 2004.
The performance accompanied the exhibition Scahbbernak. In the exhibition, Dower
presented videos filmed in Sri-Lanka with the intense sound of a tropical forest
playing through the 'Mochilero' backpack sculptures of Bar-Amotz.
Video of live performance and exhibition at Netwerk Centrum, Aalst.
Other Collaborations: 7x7 took place on Richard Wilson's Slice of Reality with seven performers choreographing seven sequences. Audio Addiction
took place at Delfina Studios, London with Guy Bar-Amotz, Sean Dower,
Natsuki Uruma, Richard Wilson and z'ev.
Break it Down - A performance 2006.
Performance photographs and information > Collaboration with the Artist Richard Wilson at the Timothy Taylor Gallery, London. Live performance with percussion and visual effects.
Limited edition DVD produced by the Timothy Taylor Gallery. See video excerpts at: www.performanceonfilm.com
A Blizzard of Noise (Donder op Dender) 2010 - Steve Noble, Richard Wilson and Sean Dower
Above: Sean Dower on pyrophone, Richard Wilson on hand cranked siren.
29 min. Live performance at Netwerk Center:with percussion, steam whistles, caskaphones,
steel marimbas, cymbals, gongs, air hooters, sirens, pyrophones, rattles, pyrotechnics etc.